Category Archives: Contemporary Art

Julie Jenkinson: Continued Existence

Continued Existence
Solo Sculpture Exhibition
VERSO Gallery @Inabstracto

Opening November 8 from 6-9
November 8-22, 2018

1160 Queen Street West, Toronto

Press Release
Julie Jenkinson’s new sculpture show is based entirely on small and large scale assemblages of post-industrial materials, salvaged wood and found objects. 

Following what she admits is a completely intuitive process, she succeeds in coaxing sensuous qualities out of the most derelict materials. The pitted surface of an industrial wooden spool takes on a rich and comforting roughness, abandoned industrial rubber car parts suddenly resemble ceramics, discarded pipe bowls are polished and oiled until they gleam. She finds bits and pieces of the discarded items around us and re-invests them with a visual allure that is palpable.

Her ability to evoke the primordial and arresting appeal of objects is one of the strongest qualities of her sculpture. She has a knack for finding things that carry corporeal weight, that demand an embodied response from the eye. Alone they’d be unnoticed, with her help they beguile and invite interaction. Relying on a rich and simple palette of mostly velvety black, brass and steel further simplifies her assemblages and unifies their visual logic. It is almost impossible not to touch them. This is especially true of her sculptural jewelry which radiates an exotic post-apocalyptic glamour you might call Bedouin post punk.

Jenkinson’s deep intuition for her materials allows her to pull off these improbable contrasts: degraded machine pieces look luxurious, antique fragments appear hyper-contemporary, mechanical elements become animal and the organic elements turn strangely inert.  She places wood, steel, brass, rubber and ceramic in dialogue with organic elements such as animal hair
or dried gourds. Her industrial rubber auto parts, in the piece “Still Life” for instance, are grouped together to form a trio not unlike a Morandi still life, with one of them topped with a tuft of wild boar hair stuffing taken from a 1960s sofa.

Her wide use of contrasting materials and stylistic elements makes her work difficult to place historically. You immediately think of modernist or futurist sculpture from the turn of the twentieth century, yet the whimsical and surprising organic touches also invoke early surrealism. Some of the more abject pieces, however, bring to mind the far more recent arte povera. Her constant use of the industrial with the organic, however, such as her brass pipes affixed to inky black gourds, also bring Louise Bourgeois to mind. They represent an organic synthesis of a myriad of influences that places them slightly outside of time.

The works in this collection represent a life spent intently investigating the strange charm of discarded objects. In this show, she demonstrates that she can bring them to life.

— David Jager 

Contact: Kate Eisen
kate@inabstracto.com
416-533-6362

Julie Jenkinson, Paintings and Sculpture


Continued Existence 
Paintings and sculpture by Julie Jenkinson
September 2017
Yesterday’s copper, acrylic on paper. 18×24 in. 2017
Infinity, rubber and vintage brass. 20x8x8 in. 2017

Chari Lesniak

Chari Lesniak_2

Chari Lesniak, Untitled 2.  36×56 in., oil on canvas. $3000.

Chari Lesniak_1

Chari Lesniak, Untitled 1. 82×52.5 in., oil on canvas. $5900.

 

Byron Hodgins, oil paintings

neighbours-house_byron

Neighbour’s House, Byron Hodgins. Oil on canvas,
43×54 in. 2013. $3350. SOLD

byron_2

Dogwood High Park, oil on canvas, 48×48 in.
$3350.

byron_3

River Silhouettes, oil on canvas, 54x43in.
$3350. SOLD

byron_1

Winter Thaw, oil on canvas, 24×24 in.
$1800.

Swinghammer’s “Loon Series”

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We’re pleased to present Kurt Swinghammer’s new
Loon Series“. 48″ x 48”, acrylic on canvas. INQUIRE

BLACKBONES Exhibition

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VERSO Gallery and INabstracto Present 

BLACKBONES Collection by Julie Jenkinson
Objects and sculptural jewelry for all sexes.

Thursday, November 26 from 6-9 pm.

The BLACKBONES collection spans the divide between found object, fine art sculpture and jewelry. Working through a deeply intuitive and organic sense of form, Jenkinson creates assemblages of artisanal and salvaged industrial materials. The results are strikingly dramatic pieces that one could only call post modern industrial primitive.

The visual intrigue of each piece derives from the way in which Jenkinson combines the vocabulary of indigenous and ethnic jewelry with a classic modernist sensibility. Bridging ancient and contemporary design, she creates a timelessness around each piece that is hard to place but is difficult to ignore.

Each BLACKBONES piece is irresistibly tactile, inviting you to hold and feel the beauty of their texture and explore their unique forms. Whether worn daily as a signature item or as an occasional accent piece, this collection is bound to draw attention and set the wearer apart.

BLACKBONES is Julie Jenkinson’s signature and thoroughly unique design statement expressed through jewelery and sculpture.

Julie Jenkinson is a British born, self-taught artist and designer living in Toronto. www.blackbones.ca

Brass Snake_LR

above: rubber, brass sculpture maquette, Julie Jenkinson
top: sculptural jewelry by Julie Jenkinson

 

MAX LUPO: THE BELLY IS THE RULE


LUPO_Belly is The Rule

 

MAX LUPO: THE BELLY IS THE RULE

Interactive Performance and Installation
Opening: Saturday, October 24 from 3-5

Exhibition Dates: October 24-November 8

THE BELLY IS THE RULE is an interactive performance and installation by Max Lupo, in which he attempts to solve a number of essential human dilemmas, with these things that he made for you.

Max has created a range of devices, inventions, and benign machinations, all of which are activated by the viewer’s participation. Together the viewer and artist will find that what the objects purport to do is both a very real reality, and an obvious sham.

Artist Statement
In my most recent work I become both inventor, and manipulator. The devices I create present themselves as an object waiting to be touched, and it is through the user’s interaction that the true character of each device is revealed. The power of the objects reside in their ability to engage with the viewers on both a tactile and conceptual level.

The objects may attempt to offer a concrete solution for some deleterious human ailment, or perhaps they are simply a lightning rod for irony. In either case, the objects are created to be reactive to the user, in a way that allows them to reveal truths about themselves, the user, and I –all at once.

BIO
Max Lupo is an emerging artist who is currently attending the Interdisciplinary Master’s in Arts Media and Design program at OCAD University. Over the course of his undergraduate education Max focused on printmaking, and new media sculpture. These days, Max works to develop a range of interesting inventions which are used in his performative installations.

Max has actively sought out many exhibition opportunities, including solo exhibitions in Georgian College’s Campus Gallery, as well as VERSO Gallery, on Toronto’s Queen Street West. Additionally, he remains engaged in his local art community by founding Art in House, a community art gallery in Barrie, Ontario.

Photograph by Max Lupo, Ferris Wheel, 2014

LINDY FYFE: SHIFT TWIST

FYFE_TECTONIC 10

LINDY FYFE: SHIFT TWIST
FABRIC CONSTRUCTIONS

September 12-October 4
OPENING: Saturday, September 12 from 3-6

 

Image: Lindy Fyfe, Tectonic 10, 2014.
Recycled fabric with canvas, 36″w x 48”h

BLACKBONES by Julie Jenkinson

Blackbones Soon_FNL_2

Julie Jenkinson is a British born artist and designer living in Toronto. Best known for her Animaze Collection of luxury wallpaper, pajamas and fabrics. BLACKBONES, her new collection of primitive modern sculptural jewellery and objects will be launched at VERSO Gallery in the fall, 2015. www.blackbones.ca

Janet Macpherson: Mirabilia

Perch3_LR

Janet Macpherson: Mirabilia
A new collection of ceramic objects.

May 30-June 21, 2015
Opening May 30 from 2-4 PM.

This new collection of ceramic objects invites an encounter with the marvelous,
the monstrous, and the hybrid. It alludes to links between wonder, pleasure and the human appetite for the rare and the strange. Hybrid beings force us to the limits of our understanding, as they present us with two things happening simultaneously. They are constantly in flux, uniting and diverging at the same time.
– Janet Macpherson

Janet Macpherson earned her Bachelor degree in philosophy from York University,
and studied ceramics at Sheridan College. She holds an MFA from The Ohio State University. She has been the recipient of a research grant from The Canada Council for the Arts, the 2013 Winifred Shantz Award for Ceramics, and the RBC Emerging Artists Studio Set-up Award presented by Craft Ontario. Macpherson has shown her work nationally and internationally. This is her first solo show in Canada. Janet currently
lives and works in Toronto.

Image: Perch, 2014. Porcelain. h. 13cm x l. 16cm x d. 9cm
Photo, Ryan Legassicke